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Papers On Music, Film, Television, Theater & Photography
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Blanche and Stanley’s Power Struggle in Tennessee Williams’ “A Streetcar Named Desire”
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This is a 5 page paper with a 1 page outline discussing the power struggle between Blanche and Stanley in Williams’ “A Streetcar Named Desire”. In Tennessee Williams’ “A Streetcar Named Desire” a vicious power struggle occurs between Stanley and Blanche. Ultimately they are battling over the love and approval of Stella although in the end neither seems to consider Stella’s feelings in the climax of the play which would seem to indicate that it was the gaining of the power over each other which was more vital than Stella’s approval. Williams was said to have included sexual, social and racial tensions throughout his plays to reflect aspects he had witnessed or experienced in life. Blanche and Stanley’s power struggle is reflective of those perceived in the post World War II era when neither side could be considered entirely good or entirely bad and the assets over which they fought, in this case Stella, were no better off at the end of the struggle than at the beginning. Bibliography lists 4 sources.
Filename: TJSNDes1.rtf

Blanche DuBois and Willy Loman
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A 6 page paper which compares and contrasts Blanche DuBois from Tennessee Williams' "Streetcar Named Desire" and Willy Loman from Arthur Miller's "Death of a Salesman." No additional sources cited.
Filename: RAblanch.rtf

Blanche DuBois: Insane?
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A 5 page paper which examines the character of Blanche DuBois from Tennessee William's play "A Streetcar Named Desire." The paper discusses whether or not she is insane. Bibliography lists 3 sources.
Filename: RAblnch2.rtf

Blockbuster Movies And Independent Films: Compare/Contrast
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6 pages in length. Blockbuster movies may draw in millions upon millions of revenue dollars over and above their independent - or Indie - counterparts, but that is not because they are intrinsically better in quality, plot or underlying message; rather, it only reflects the manner by which blockbusters conform to cookie-cutter expectations of a myopic audience that refuses to push the envelope or go beyond its comfort zone. Indies, on the other hand, take up where blockbusters leave off and fill in the blanks that ultimately render these films as having substance, value and a connection to real life. Bibliography lists 5 sources.
Filename: TLCIndieFilms.rtf

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