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Papers On Music, Film, Television, Theater & Photography
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A Comparative Analysis of William Shakespeare’s “Hamlet” with Laurence Olivier’s 1948 Film Adaptation
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A 4 page paper which compares and contrasts the two versions by specifically discussing any additions or deletions made in the transference of the play to film and weighs their appropriateness and value, considers the quality of the acting, settings, costumes, background music and cinematography, and contains a reaction to these differing productions. Bibliography lists 6 sources.
Filename: TGolivham.rtf

A Comparison Between A Doll's House and A Streetcar Named Desire
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This 6 page paper compares and contrasts the Ibsen work with the Tennessee Williams play which were each written in different time periods. Characterization is discussed, particularly as it pertains to the ways in which Nora is like Blanche and Stella. Bibliography lists 2 sources.
Filename: SA150ply.rtf

A Comparison Between COPS and Roger & Me
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This 5 page paper looks at both types of documentaries and argues that while populist, these examples each depict different political viewpoints. The film Roger & Me by Michael Moore is evaluated along with the Fox television series COPS. Bibliography lists 5 sources.
Filename: SA225COP.rtf

A Comparison of Brigden’s “New Worlds, Lost Worlds: The Rule of the Tudors 1485-1603” and the Movie “Elizabeth”
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This is a 5 page comparison of Susan Brigden’s text “New Worlds, Lost Worlds: The Rule of the Tudors 1485-1603” and the film “Elizabeth”. Susan Brigden’s text “New Worlds, Lost Worlds: The Rule of the Tudors 1485-1603” gives a broad historical account of the Tudor era in England during its almost 120 year rule throughout the 15th to early 17th centuries. Brigden’s background knowledge on the Reformation in England at that time is effective but perhaps not properly displayed in her text as much of the religious and political detail was excluded in lieu of the inclusion of selections of poetry and prose from the era to provide the book with more depth and color. Overall, the effect was not well received by the critics who craved more historical detail. The film “Elizabeth” directed by Shekhar Kapur, on the other hand, provides a more in depth look at the political but somewhat more personal details of Elizabeth’s reign from 1558 until her death and the end of the Tudors in 1603. The images portrayed in the film show the often gritty side of the religious fervor which shook Tudor England outside of the political elite emphasized in Brigden’s book. Audiences must be aware however that artistic license may be more in effect in “Elizabeth” however than within Brigden’s historical text but taken together “New Worlds, Lost Worlds” provides a good background for the reign of Elizabeth brought to life in the film “Elizabeth”.
Filename: TJBrigd1.rtf


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