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Modernism in Eliot and Woolf
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A five page paper showing how T.S. Eliot and Virginia Woolf consciously defined modernism in their critical essays and employed it in their works. Specific works discussed are Woolf’s “The Metaphysical Poet and Modern Fiction” and “The Mark on the Wall,” as well as Eliot’s “Tradition and the Individual Talent” and “The Waste Land.” No additional sources.
Filename: KBeliot.wps

Samuel Beckett's 'Happy Days'
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A 5 page character analysis of Winnie in Samuel Beckett's infamous play entitled 'Happy Days.' The writer feels that she represented the self-transgression of loneliness and the mundane emptiness that life can have. Several quotes from the play are used to support this thesis.
Filename: Happyday.doc

Samuel Beckett's Views on Women
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A 5 page paper contrasting Beckett's view of women in his novel Murphy, written in 1938, with that presented in his play Endgame, written in 1955. The paper concludes that after his prolonged stay in France, Beckett became detached from his particularly Irish way of looking at women, but was unable to gain the perspective to see them as anything more than symbols reflecting his own alienation. Bibliography lists 3 sources.
Filename: Sambeck.wps

Aeschylus' 'Prometheus Bound' / A Godly Love vs. Human Love
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In this 5 page essay, comparisons are made between the role of love in 'Prometheus Bound' and 'Hippolytus.' The writer argues that just as Phaedra was made to suffer as the result of her own love, Prometheus was similarly made to struggle as the result of his love for mankind-- which motivated him to give us the gift of fire. Additional examples of love's predicament are provided from Prometheus Bound as well -- to further support this thesis (i.e., the case of Iago, etc;). Bibliography lists one additional source.
Filename: Prometh5.wps


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