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Zora Neale Hurston / A Woman of Two Worlds
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An 8 page paper discussing the black author's unusual ability to move easily in both black literary circles and white ones simultaneously, and postulates that this helped her bring the joy and vitality of black experience to a primarily white audience. FREE Outline of paper included ! Bibliography lists 8 sources.
Filename: Hurston2.wps

Zora Neale Hurston's 'Dust Tracks on a Road'
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A 5 page essay on Zora Neale Hurston's autobiography. It describes Zora's life briefly, then analyzes two major problems with the book, namely Zora's lack of closure regarding her prophetic 'visions' and her inability to perceive herself as a member of an oppressed race. No additional sources cited.
Filename: Zora2.rtf

Zora Neale Hurston's 'Seraph on the Suwanee' / Sexuality
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A 5 page paper based on the argument that author Zora Neale Hurston wrote more with an eye to authenticity than to the conventions of the times in which she wrote. Published in 1948, 'Seraph on the Suwanee' was the last novel written by Hurston, and was also one of her lesser-known. All of her works, however, included a measure of to-the-point sexuality, presented in the context of a matter-of-fact part of life rather than for any anticipated 'shock value.' Bibliography lists 5 sources.
Filename: Hurston.wps

Zora Neale Hurston's 'Their Eyes Were Watching God' / Traces Of Modernism
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A 9 page paper on the novel by early twentieth century author Zora Neale Hurston. The paper argues that Hurston's fiction techniques were ultimately derived from the modernism she learned while she was the only Black student at Barnard in the 1920s, and this colored both her fictional techniques and her interaction with white people from then on. Bibliography lists 9 sources including book.
Filename: Zora.rtf

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