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Hurston and Toomer / Vernacular & Self-Image
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An 11 page paper examining how Zora Neale Hurston's and Jean Toomer's use of the vernacular in their works reflects their own self-concept as black people. Novels discussed are Cane and Their Eyes Were Watching God. Bibliography lists 9 sources.
Filename: Hurstooo.wps

Society And The Individual In Ibsen And Hurston
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A 5 page look at the way the female protagonists of Henrik Ibsen's A Doll's House and Zora Neale Hurston's Their Eyes Were Watching God respond to society's traditional roles for women, and to what extent these characters are able to overcome these social constrictions to achieve a self-actualized life. No additional sources cited.
Filename: Hursoci.wps

The Characterization of Janie in Hurston's 'Their Eyes Were Watching God'
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A nine page paper looking at this important twentieth century novel in terms of the way Zora Neale Hurston created the complex characterization of her protagonist, Janie Crawford. The paper argues that Janie is less challenged by her role as an African-American as she is by her gender. Bibliography lists seven sources.
Filename: KBhursto.wps

Zora Neal Hurston / Significance Of White Tokens In Six Of Her Works
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A 6 page analysis of Jonah's Gourd Wine, Guilded Six-Bits, Sweat, Spunk, Drenched in Light, & John Reddding Goes to Sea -- looking at how Hurston uses the white token to bring about the black experience in regards to separatism and belonging--from a societal viewpoint. The paper discusses Hurston's goals of bringing together both societies for an egalitarian purpose rather than promote a separatist viewpoint for either black or white society.
Filename: Znhurstn.rtf


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